{"id":172,"date":"2022-04-30T11:10:49","date_gmt":"2022-04-30T11:10:49","guid":{"rendered":"http:\/\/fm.fullcircle.es\/?p=172"},"modified":"2024-01-26T14:17:01","modified_gmt":"2024-01-26T13:17:01","slug":"auto-tune-polemica-para-el-flamenco","status":"publish","type":"post","link":"https:\/\/flamencomadrid.com\/en\/auto-tune-controversy\/","title":{"rendered":"Auto-tune: Controversy"},"content":{"rendered":"<p><\/p>\n<h3>Whithout a doubt, it\u2019s the instrument that has generated the most controversy at the time of being introduced into the world of Flamenco.<\/h3>\n<p>Auto-tune is a kind of software that simplifies the task of correcting the tuning of a melody or musical. Some purists have been very critical of its use, but this has not impeded the hearing of such important voices of today\u2019s music scene as <strong>Rosali\u0301a<\/strong> or\u00a0<strong>Solea\u0301 Morente.<\/strong><\/p>\n<blockquote><p>With the auto tune you get an aggressiveness that is normally not the same with an organic voice. I&#8217;m aware that you have a very bad reputation, but it is important not to be prejudiced. I&#8217;ve had to learn how to use it, it&#8217;s not easy- ROSAL\u00cdA.<\/p><\/blockquote>\n<p>We must not forget that the powerful art of\u00a0<a href=\"https:\/\/flamencomadrid.com\/es\/en\/portfolio_page\/canciones-de-flamenco-que-marcaron-la-historia-de-la-musica\/\">Camaro\u0301n<\/a>,\u00a0<strong>Enrique Morente<\/strong>\u00a0or\u00a0<strong>Lole &amp; Manuel<\/strong>, also generated in their time an enormous polemic for introducing\u00a0<strong>sound and esthetics elements<\/strong>\u00a0<strong>unconnected to Flamenco.<\/strong><\/p>","protected":false},"excerpt":{"rendered":"Whithout a doubt, it\u2019s the instrument that has generated the most controversy at the time of being introduced into the world of Flamenco. Auto-tune is a kind of software that simplifies the task of correcting the tuning of a melody or musical. Some purists have been very critical of its use, but this has not&#8230;","protected":false},"author":1,"featured_media":307,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sonidos-y-canciones"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Auto-tune: Controversy - Flamenco Madrid<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Auto-tune: Controversy - Flamenco Madrid\" \/>\n<meta property=\"og:description\" content=\"Whithout a doubt, it\u2019s the instrument that has generated the most controversy at the time of being introduced into the world of Flamenco. 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