With your body -
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With your body

About This Project

There are instruments that are intrinsic to the body and the soul

You won’t be able to buy this instrument anywhere.

 This instrument is natural, it comes from the body of the flamingos.

From the Flemish bodies sprout these instruments laden with spontaneity and duende

 Zapateaos, palmas y jaleos

Las palmas

You won’t be able to buy them, but you will be able to study them. 

Las palmas, the oldest and true percussion accompanist, dance, singing and toque flamenco.

And although the heart and the emotion of the present moment are determining factors for palmear, flamenco is ruled by patterns of compás that construct a universal music.

Rhythmic Patterns:

  • Binary meter  2/4: Rumba, tangos, zambra…
  • Ternary meter 3/4: Fandangos, alboreás, sevillanas…
  • Amalgama 6/8+3×4 0 3×4+ 6×8 (Binario + Ternario): Bulerías por soleás, seguirillas, martinetes…
  • Free: Tarantos, fandangos o granaínas…

It is advisable to have at least two people in a cuadro flamenco. Thus Creating harmonious phrases that overlap each other by exercising, a base and others to create different voices, countertimes and auctions.

``Palms in flamenco are a rhythmic accompaniment, unique and necessary``.

El zapateao

Intrinsec instrument of bailaores y bailaoras

Zapateao is an inherent instrument of dancers. Its union with Flamenco emerged in Cadiz around 1850.

Obviously, zapateao is also ruled by these patterns of compass, it requires an enormous rhythmic ability.

In order for the magic of Flamenco to emerge, it is necessary to have a full degree of rapport between the guitar and the taconeo.

Flamenco musicians calibrate their music in ternary, binary and amalgam compass (binary + ternary).

The difference between binary and ternary meter is that the first is measured in two beats or strong pulses, while the second is measured in two beats or strong- weak pulses.

Las palmas y los zapateaos pueden sonar al compás del resto del acompañamiento musical, o pueden desdoblar y crear contratiempos.

Para palmear y taconear lo primero que tienes que afinar es el oído.

No hay persona más flamenca que aquella que escucha flamenco durante toda su vida.

¿No creéis?

Jaleos

Los coros que alientan

Originalmente, el jaleo se asociaba a un determinado tipo de baile flamenco. Nace en Jerez de la Frontera, hecho que corrobora su parentesco con la bulería. Ha sido y es, un portador de elementos musicales muy generoso para el Flamenco.

El jaleo anima al cante, al baile y al toque, son expresiones espontáneas que se introducen al compás de las buenas interpretaciones flamencas.

 

¿Quieres saber más sobre estos instrumentos para el Flamenco?

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